Showing posts with label patron saint. Show all posts
Showing posts with label patron saint. Show all posts

Wednesday, July 1, 2026

376. LA INMACULADA CONCEPCION OF MANDALUYONG

The Inmaculada at the "Flores" event, 7 June 1953

The principal patroness of Mandaluyong City is La Inmaculada Concepción de Mandaluyong, enshrined at the San Felipe Neri Parish Church. Because her venerated image is housed in the parish, the identity of the original carver or sculptor is considered a matter of undocumented ecclesiastical tradition. The city officially proclaimed her as the patroness and mother of Mandaluyong in January 2024. 

The Flores de Maria celebration have long been a tradition of the  San Felipe Neri Parish,  a month-long May devotion and offering of flowers to the Blessed Virgin Mary, as shown in this 7 June 1953 photo, highlighted by Her procession,

The Inmaculada Concepcion in the altar mayor of S. Felipe Neri Church

Any information as to the history of the image, its origin and maker , will be appreciated.

Thursday, June 4, 2026

374. LA INMACULADA CONCEPCION OF MALOLOS

The deeply-revered image of La Inmaculada Concepcion (Immaculate Conception) of Malolos is enshrined at the main altar of the Cathedral-Basilica Minore dedicated to her name. It s a pre-war image done by a native carver, Teodoro Ople, who overcame his humble beginnings—he was an orphan—to become a skilled artisan of note. The image was modeled from the well-known Marian painting of Bartolomé Esteban Murillo,” La Inmaculada Concepcion de los Venerables”

In Murillo's painting, Mary is dressed in a white robe with a blue mantle, her hands crossed over her chest, with a crescent moon at her feet, and eyes raised heavenwards. Her pose-- right knee bent and her weight on her left leg—accentuates the undulating  rhythm of the composition. A crescent moon encircles her hidden foot, under voluminous layers of white fabric. 

FEAST OF IMMACULATE CONCEPTION, 1950s

Ople’s depiction minimizes the bent foot, to create a more frontal stance, enhanced by the rhythm of the folds and drapes of Her robe and mantle.

MALOLOS TOWN FIESTA, 1954

The beautifully-sculpted wooden figure of the Immaculate Conception was canonically crowned on 10 March  2012, as granted by Pope Benedict XVI. A flight of steps were built leading to the altar so the image could be touched by devotees. 

Photo: CHURCHES, BASILICAS & CATHEDRALS in the PHILIPPINES (CBCP) 

A vicaria (replica) image of the Virgin is used for processions while the precioys original image remains in the church for safekeeping. Malolos’ Immaculate Conception is one of the most photographed Marian image in the country, a testament to the profound devotion of Filipinos to the Blessed Mother.

SOURCES:

Diocese of Malolos website: https://dioceseofmalolos.ph/patroness/

 Churches, Basilicas & Cathedrals FB Page

Thursday, April 30, 2026

373. APO IRO! APO IRO! Discovering the Year-Long Cult of St. Peter in Apalit, Pampanga, by Ross M. De Leon

(Transcribed from the magazine article published on Weekend Malaya 20 Sept. 1987)

By Ross M. de Leon, Photos by Zek Barroso & Jolly David

Apalit town becomes exceedingly alive from June 28 to 30 every year. It is when the whole town becomes one and celebrate the feast of Sta. Peter whom folks lovingly call Apo  Iro. Actually, the people get busy as early as May when the fiesta committee members start mounting the bamboo poles for the buntings.

That the Apaliteños put their minds and hearts in the fiesta event is eveident in the buntings alone. The colors are well-chosen, the hangings have identical shapes and sizes.Arranged very close to each other, the buntings would look like one bg canopy. If one views it from the window of a century-old two-storey house, it turns into a magnificent rainbw that dips somewhere in the Pampanga River.

With a band playing fiesta tunes and people coming in with their glorious smiles, the scene takes a different appeal. It is as if time hangs suspended for three days and everyone is reborn. Nothing occupies the people’s attention except to give their best to Apo Iro. The life-size image in pure ivory is 287 years old. It is the only on in the country which sits on a throne.

Most of us are familiar with St. Peter in an upright position holding a rooster and keys. But Apo Iro of Apalit is a magnificent Prince of the Church in papal robes. Fr his feats, he wear a three-tiered crown symbolic of his being a first Pope. He has a scepter, a huge cross around his neck, a ruby ring and keys. On other days, Apo Iro wears a simple, priestly robe, not the old pajamas and baseball cap he used to. “A pope would never appear in public wearing pajamas, would he?”, asks Rick Badenhop who is married to the camarera, Erlinda Sazon-Badenhop.

Through the Years. It is Linda’s ancestors, specifically Don Pedro Armayan Espiritu, who bought Apo Iro t the country. Don Pedro got the image done in Spain including its original crown, scepter, ring , keys, necklace , cross, the fisherman’s shoes in pure slver. All those have remained intact since Apo Iro’s arrival in 844 at the old home of Don Pedro in Alauli, Apalit. Don Pedro transferred it to a bigger house in Capalangan and has stayed there ever since.

St. Peter’s shrine in sitio Capalangan, Apalit, Pampanga

From 1974 till now, Apo Iro has been under the care of Dña. Elisa Sazon, a direct descendant of Don Pedro. The old lady died in May this year which made her daughter Erlinda, the new camarera.

The family has undertaken the awesome task of being host to Apo Iro’s numerous visitors throughout the year. But it is on his feast day when the preparations are even bigger. Linda, a well-known dentist, is not daunted by the responsibilities for she has fund the perfect partner  in Rick. The latter is a busy executive of Equitable Bank and has accepted Apo Iro graciously as part of his life.

The very old Spanish home of Rick and Linda opens its doors to everybody ob Apo Iro feast day. Rick reveal as , “we have to hire no less than 40 cooks to feed the devotees for free.” About 10 to 20 cavans of rice are needed each year, four large pigs, 300 peces of chicken, 40 kilos of beef, and a jeepload of bihon and not less that 30 cases of softdrink are consumed. “Of course, there are other ingredients and other items butthose are the staples. The cash donation may reach up to Php 15,000 but we always add Php20,000 to that”, declares Linda.

Devotees expecting miraculous cures for rheumatism, asthma, and other ailments.

Aside from which, the family spends over Php3,000 for the coconut oil which the devotees request. Then there’s the maintenance of the chapel and the garden built in 1981 which come from the Badenhop’s purse. “We will keep the tradition the way Linda’s parents and ancestors did it. You cannot just close the shrine for lack of fnds. We believe that Apo Iro will help in every way,” says Rick without hesitation.

The Badenhop’s faith in the miraculous power and generosity of Apo Iro is echoed by the devotees who flock by the thousands. Maria Santos, a 68 year old resident of Caloocan, and her whole clan come yearly in 4 jeepneys. There are 80 of them and they have been faithful to Apo Iro for the last six years. “Lahat kami pati dalawang apo ko, pinagalig ni Apo Iro,” remarks Aling Maria, a furniture shop owner.

Aboard the barge are Apo Iro and the Virgin Mary on their 6-hour  fiesta time journey to the Apalit Cathedral.

She herself goes down the river when the fluvial procession begins. The woman explains, “Dati hindi ako makalakad dahil sa rayuma sa pareho kong paa. Pero simula nang magdebosyon ako kay Apo Iro, gumaling na ako.” In between fiestas, Alig Maria usues coconut oil to massage her feet. “Mabilis ang ginhawa. Ganon din kapag nagbabad ka sa ilog na dinadaanan ni Apo,” came the simple declaration of faith. Her two grandchildren were rid of their asthma again through the water and oil from Apo Iro.

There’s Felisa Cabildo Albina who is now 73 years old and widowed. She began her panata at 17. Aling Feling’s eyesight was failing because of cataract, “pero iniligtas ako ni Apo Iro.” She used to suffer from hypertension and severe headaches. But she does not look her age nor does her illness seem to bother her when she dances on the street with other devotees. This, they do, when Apo Iro leaves the shrine for the población and on the day that he returns.

Felisa Albina, 73, has been dancing for Apo since 1921.

The dancers bring with them all kinds of leaves but especially guavaleaves. “Kahit anong halaman basta isinama kayApo Iro nakagagaling,” relates Aling Feling. “Pakulo ka lang ng tubig at yoong dahoon pag may sakit ka ng tiyan, ulo o lagnat at tiyak na wala.”

For this year’s festa, however, there were signboards requesting devotees not to destroy the plants. Rick points out, “They can get the leaves but nothing should be uprooted. We spend a lot in the upkeep of the plants.”

Miracles? Another devotee of Apo Iro is 14-year old Nicomedes Estrella of Iba. He was only 4 years old when he got leukemia and his parents were told that he would die soon. Once, when he was delirious, he told his father, “Itay, dalhin mo ako kay Apo Iro.” He and his parents stayed in the chapel for two weeks after which Nick recovered for good. He is now a healthy teener who for the last 10 years has been spending the last 3 days of June with Apo Iro.

Aling Maria, Aling Feling and Nick are only three of the tousads of devotees who greet Apo Iro on his feast. They wait rain or shine till Apo is brought out from the chapel and down into the river. The chanting of “Apo Iro, Apo Iro!” is awesome, the kind that makes your hair stand on its end and sends shivers down your spine. There is a marvelous rain of petals, confetti and leaves followed by a thunderous applause. Dancing on the street continues as Apo Iro is carried to the river by the Knights of St. Peter.

Devotees Mary Indiongco, Knights of St. Peter Macario Vargas 
and Amado Arceo with Dr. Erlinda Sazon-Badenhop in front of the
287-year old Apo Iro.

Despite the gaiety, the festivities do nt turn into a circus that would lessen the solemnity of the event. More people await Ao Iro at the river where he takes a barge. From Capalangan, he is transferred to a bigger, more splendid float at the point where the Calumpit and Pampanga Rivers meetfor his 6-hour journey to the Apalit población.

The fluvial procession is a sight to behold, a powerful feast of colors for photographers. The large float carrying Apo Iro and and the Blessed Mother is followed by smaller bancas, barges, etc. all filled with people. The banks are lined with more devotees who immerse themselves in the water for everyone believes that this is the only time of the year when the water becomes curative through Apo Iro.

A vigil and procession are held at the Apalit cathedral for a day when Apo Iro returns to the shrine in Capalangan. The return journey is awaited with greater joy and enthusiasm as if the Apo left the sitio not for a day, but for years. Dancing, dousing of water, and feasting are the order of the day. The folks stay till late at night in thanksgiving, for their belove Apo Iro is back and safe.

Wednesday, October 15, 2025

369. VIVA! EL SERAFICO PADRE DOCTOR SAN BUENAVENTURA! A Restoration Story, by Mr. Francis Ong

SAN JUAN BUENAVENTURA of Mr. Francis Ong
Years in conception but merely months in the making, my own image of our town's Patron Saint is finally done.

Mauban is the only old town in the Philippines that was dedicated to San Buenaventura. Though the year when the Franciscans officially arrived in Mauban has not yet been established, Huerta notes that the town has already been in existence at least by 1583 but Fray Gaspar de San Agustin in his work 'Conquistas de las Islas Filipinas' mentions that after reaching Lucban in 1571, Juan de Salcedo traveled to the Port of Mauban in a place called Alitas where he found boats that took him to the gold mines of Paracale.

The earliest mention of Mauban and San Buenaventura together, I found in a letter from 1599 sent by the Ecclesiastical Council in Intramuros complaining about the Religious Orders' non-compliance with establishing parishes and that these Churches mentioned did not have the license to operate-- one of them is for San Buenaventura de Mauban.

The antique head and paragua (payong) came from one of those very rare occurrences when Alex Del Rosario Castro chose to part with one of his collections. 

His blog, andalltheangelsandsaints, has probably been one of the biggest influences with the way I view collecting -- as an adventure and a treasure hunt worth stories to tell. Was it a decade of random panliligaw that eventually ended with a 'YES' late last year?

It then underwent the careful encarna conservation by Elbert Mateo who did a very fine job in keeping true to the original. The hands came from Kevini-Tzi Hanunaneh, the body made by reliable Louie Frederic de Jesus. 

The metal accoutrements were made by Jass Monteroso of Kalayaan, Laguna -- the church atop the book is a faithful replica to the one carried by our Festejada image that could've been the image of Mauban's stone church and belfry that fell during the earthquake of 1880. His sandals (not visible in the photo) have also been copied from the pair wore by the Santo Patron.

His vestments were beautifully made by Makoy Basco Celestino of Linea and it was based on old photos of the wooden image enshrined in the Church (This image was said to have miraculously survived the destruction of the last Spanish era church in Mauban that was a casualty of a december typhoon that hit our town in 1947), the image on the fachada of the Church and the silhouette of the mozetta (shoulder cape) of the Festejada.

Much thanks to everyone that has been a part of the image, may San Buenaventura pray for you and your loved ones as well.

Maligayang Kapistahan San Buenaventura - Patron ng Bayan ng Mauban! Viva! Viva! Viva!

(Mr. FRANCIS ONG is a corporate executive and an ardent collector of santos and antiques, especially those originating from Mauban, where he traces its roots. Thank your for sharing your photos and santo restoration story.)