Showing posts with label Betis. Show all posts
Showing posts with label Betis. Show all posts

Tuesday, January 24, 2017

282. HOMETOWN BLUES AND 'APO TIAGO', by Blanche David-Gallardo

by Blanche David-Gallardo
Originally published on  @inquirer.net/ Inquirer Lifestyle/ 31 July 2016

SANTIAGO OF BETIS.

Last night I dreamt I went—not to Manderley—but to Betis again, the fiesta and holiday haunts of my youth and childhood and my father’s hometown where, like Manderley,  my grandfather’s house is “no more… ours no longer.”

At times looming larger than life, at other times dissipating like morning mist in the harsh light of everyday reality, memories of my grandfather’s Betis home float wraithlike, as ghosts from the past.

In the dim light of faulty recall, and through the idealized prism of advancing years acutely aware of time slipping away, I can still see the 19th-century bahay-na-bato, its stone front steps leading up to the wooden upper story living areas.


Branches of a giant chico tree loomed menacingly over the rail-enclosed balcony, occasionally dropping a fruit or two with a thud in the dead of night, confirming our childhood fears that indeed, kapres inhabited the tree and the nearby towering sugar mill. 

It was there we sat, my cousins and I, whiling away lazy afternoons when we outgrew childish pranks and games.

There I learned to love that magic time between day and night, the melancholy of twilight, and discovered the first stirrings of puppy love.
The balcony opens out, through double doors and carved lintel of Agnus Dei (Lamb of God) to a vast living room. To one side stood my grandfather’s bedroom, perpetually dimly lit with flickering oil lamps and votive candles.

 Velvet finery

There the family santo—Apo Tiago, St. James the Apostle— was kept in its glass case, dressed in simple cotton garment for everyday wear, until metamorphosed for delivery to the Betis church, elegant in his gold-embroidered velvet finery, wig in place, cheeks rouged to soften the pallor of its ivory face, and picked up by several groups of marching bands for town fiestas, Holy Week observances, and/or other special occasions.


Like the year waning into shorter days and longer nights, we of the twilight generation of Betis Davids rarely “rage, rage against the dying of the light,” but rather “go gentle into that good night,” notwithstanding Dylan Thomas’s poetic counsel to his father.

Once in a great while, however, we come face to face with a facet of the past—a moment of truth, as it were—that brings together present reality with fragments of ourselves that we have long lost, like pieces of a puzzle recombining to form a whole picture.

One such occasion came for me more than a decade ago. On the eve of the of Betis district fiesta, when a handful of us cousins, remnants of the David clan from the line of my paternal grandfather Pedro Lampa David, came together for a brief, and largely impromptu, family reunion.


The group included my London-based sister Marita, who was in town for the holidays with her Canadian-born husband and their daughter Teresa, and numerous US-based cousins, home for the holidays and the town fiesta, and to attend the wedding of a nephew. 

As well, there were those of us who, like me, were living in Manila or in Pampanga, many of us no longer carrying the David family name by virtue of marriage.

The reunion was held at the home of a cousin who, through the years, has maintained her residence in Betis, at precisely the spot where our grandfather’s house once stood.  The ancestral home is long gone, as are the once extensive family land holdings.

Erratic memories
Only erratic memories remain, along with larger-than-life perceptions of the elegant four-foot-tall ivory and wood image of the town patron saint—Apo Tiago—around which the remaining generations of our branch of Betis Davids found an inspiring rallying point.

We are all, they say, a product of nature and nurture. Nature is what we are born with—the genes we inherit from our parents and ancestors. Nurture is the superimposed layer upon layer of post-natal forces that help shape us as individuals— the milieu and culture into which we are born and raised, and the attitudes, views and influences that color our world view and continue to evolve and transform us through the years.

In our instinctive search for individual identity, we forget— and sometimes deliberately reject—the roots of our “nurture” which, paradoxically, has the power to draw us back precisely to the point of our true identity as an individual.


Spared from the devastation of Mount Pinatubo in 1991, the municipality of Betis adjoins Bacolor, a town so totally devastated by lahar, only the church steeple and a reconstructed portion remains today as a reminder of where the town once stood.

The fact that the lahar flows stopped just short of Betis is a miracle attributed by townsfolk to the intervention and protection of the town’s patron saint, Apo Tiago. To this day, people from neighboring towns and districts borrow the image from my cousin Violeta—for years the family custodian—whenever any of the nearby towns or villages find themselves threatened by floods, or any other natural calamities.

Whether the statue, imported from Spain, was acquired by my grandfather, or by his father before him, is a matter of conjecture among us. But my generation of Davids and those immediately after us, grew up with the familiar sight of the image housed in its glass case in my grandfather’s darkened bedroom.


 Ritual
Whether we were there for the three-day town fiesta, or the weeklong Semana Santa  (Holy Week), it was the first place we headed upon arrival, to touch the hand of the image upon our foreheads, even before we greeted our grandfather and touched his hand to our forehead.

Preparing Apo Tiago for his church sojourn and the religious procession that followed, and setting him upon the gilded carrosa, decked with flowers and lights, were part of the ritual of my growing up years, an intimate portion of our life, upbringing and family traditions.

Thus it was with a rediscovered sense of belonging and oneness that, a decade ago, our assembled kith and kin awaited the marching bands that were to fetch the image from my cousin’s house and escort it to church.

Listed as a national heritage, the St. James Church of Betis is one of the oldest in the country and the only one with wooden floors.  Built by the Agustinians between 1610 and1670 in typical mission architecture, with frescoes on the ceiling, murals on the walls, and carved, gilded wooden altars and pillars, the Baroque church is also one of the country’s most beautiful.

I have often watched with a tinge of nostalgia those Italian, and/or Spanish movies depicting religious processions wending their way through narrow, winding streets, “oompah-pah” brass bands setting the funereal pace, and masses of candle-carrying devotees following hard at the heels of saintly images borne aloft on carriages, or upon the shoulders of devotees.

These are scenes straight out of my childhood, and on that eve of the San Miguel district fiesta, reality and memory came alive in what I can only describe as a “moment of grace” when we, as remnants of a now scattered branch of a Betis David clan, candles lit in the fading light, joined the marching band and the “Coraldal” dancers in escorting our Apo Tiago to the Betis church. Faith in action, glorifying the Creator through an earthly ritual.

Every few meters, the procession stopped to allow the dancers to express their exhuberance and joy before the image of St. James in a mock routine of clashing swords and shields—a reference to the mythical James who fought and triumphed over the Moors.

All along the route, people lined the streets, greeting the approach of Apo Tiago with awed reverence, or a burst of firecracker salute!  It was as I remember the event from childhood, and yet different from what I remember! I was told that my memory regarding the “Coraldal” dancers was flawed, because when we were kids, the dancers were elderly, and not the young men who perform the “Coraldal” today.

Perhaps it is only in the twilight of our years that we can appreciate—or be reinvigorated—by our half-forgotten beginnings. But I do hope that one day soon, my own children (and grandchildren) will find the time—and the inclination—to join me on a visit to Betis on the eve of a town fiesta to discover for themselves an undying family legacy that will outlive us and our generation, as it did my father and grandfather before him.

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Thursday, January 9, 2014

180. ANTIQUE COLLECTORS AS CRUSADERS OF CULTURAL HERITAGE

 VIRGEN DE LA CORREA OF BETIS. Photo courtesy of Mr. Richard Diño

The recent theft of the antique ivory Nino Jesus of the Virgen de la Correa of Betis last Dec. 30 (the district’s fiesta, no less) once again put antiquarians and sacred art collectors on spotlight. Often, the knee-jerk reaction is to impute suspicion on antique collectors and their inordinate urge to acquire antiquities at any cost, leading many to conclude that collectors themselves are the major masterminds of church theft.

THE DRESSED UP CARROZA OF THE VIRGEN DELA CORREA, BEFORE THE PROCESSION.
Photo courtesy of Mr. Richard Diño

 There are allegedly horror stories of affluent collectors running a ring of antique dealers, financing them so they could acquire prized church art, through all means—from cajoling priests to part with their old santos as they renovate their churches, to resorting to paid crimes like theft and robbery. True, there are spurious collectors, middlemen and dealers, but they are few and far between. Past events involving the theft of church art have, in fact, included collectors playing significant parts in their return and recovery.

 AT THE SANTIAGO APOSTOL CHURCH.
Photo courtesy of Mr. Richard Diño

 Indeed, it is this instinct to save, to recover, to conserve and preserve—that drives a collector to do what he does, which, in a way, is aligned with the work of cultural and heritage activists. It took an antique collector with a discerning eye, for example, to recover the Santo Nino de Romblon, which had been lost for 22 years. In 2009, antique collectors networked online with heritage workers to find the image of an antique San Juan, stolen from one of the retablos in the Cathedral of Tayabas.

 MR. TOM JOVEN, WITH THE RECOVERED NINO OF THE VIRGEN DE LA CORREA
Photo from the FB page of Auxiliary Bishop Pablo Virgilio David.

Thankfully, there is a happy ending too, to the recent event in Betis. A few days after the reported theft of the ivory Nino, the Archdiocesan Commission on Church Heritage (ACCH) of the Archdiocese of San Fernando, announced the successfully recovery of the revered image, with the help of yet another collector and renown ecclesiastical artist, Tom Joven.

Joven, who heads the Parish Pastoral Council of San Guillermo Parish of Bacolor and who also serves as member of the Tangible Heritage Committee of ACCH, reported his find to diocesan church authorities as the image surfaced in the antiques market, days after it was reported to be missing. His network of collector-friends provided him leads that allowed him to track the image in Manila, and which he eventually purchased---the ivory parts brought to him discreetly in a plastic bag, minus the wooden body.

 "I ONCE WAS LOST...BUT NOW I'M FOUND".
THE RETURNED NINO, MINUS THE WOODEN BODY.
Photo from the FB Page of Auxiliary Bishop Pablo Virgilio David

Immediately, he notified the church authorities headed by Auxiliary Bishop Pablo Virgilio David and the Pastoral Council of Betis. The acknowledged santo expert offered to restore the image and have it ready for official turnover to diocesan and local church authorities in time for the celebration of the Santo Niño Feast on January 19 (3rd Sunday of January).

 
Photo courtesy of Mr. Richard Diño

The ACCH circular acknowledged with gratitude the role that antique collectors played in the recovery of the Nino—alongside media entities, heritage advocates and netizens who helped spread the word about the theft of this treasured image which is imbued with priceless historical, cultural and spiritual meanings—a special part of the Augustinian legacy in Betis, Pampanga.

In the crusade against church crimes, count antique collectors in.

Sunday, January 5, 2014

179. TAKEN: The Ivory Niño of the Virgen De La Correa of Betis, Guagua

LOSS OF LEGACY. The revered image of the Virgen de la Correa, of Betis, Pampanga, as she appeared on her carroza, en route to her procession. The Nino Jesus in the embrace of Our Lady was stolen on 30 Dec. 2013, during the town fiesta. Ca. 1930s.

 The December 30, 2013 fiesta of Betis turned out to be a most lamentable day for the people of this district, when the antique ivory Niño Jesus that accompanies the revered Ntra. Sra. De la Correa (Our Lady of the Cincture), was stolen between 3:00-3:30 p.m. from the Santiago Apostol Church, before the scheduled procession.

Picture of theVirgen de la Correa taken in the morning of Dec. 30, 2013, Betis fiesta. In the aftrenoon, between 3-3:30 p.m., the ivory Jesus the Virgin holds, was taken.

 The image of the Virgen de la Correa is one of two precious images of Betis church, the other, being the ivory figure of its titular patron, Santiago Apostol (St. James). Devotion ot the Virgen de la Correa is rooted in 3 historical events: the founding of the Order of St. Augustine (OSA) in Italy, the erection of the San Agustin Church in Intramuros in 1608, and the establishment of the first batch of cofradia devotees under this advocacy.

 Augustinian missionaries came to Betis in 1572 where they founded a mission. The ivory images of the Virgen de la Correa and the Niño Jesus are among the treasured legacies left by the said order. The medium-sized images of the centuries-old Virgen de la Correa and the Infant Jesus feature ivory head and hands. She wears a cloth band (correa) around her waist, which is also part of the monastic habit of Augustinians.

Members of the Pecson Family of Guagua, designated caretakers of the treasured Virgen de la Correa image, tasked with dressing up the image, and preparing her carroza for the annual procession. Ca. 1930s.

For the longest time, the designated camareros (caretakers) were the Pecson family of Guagua, in whose house, the Virgin and the Holy Child are dressed and prepared for the procession. Our Lady wears real gold jewelry donated by devotees through the years and the duo have their onw carroza of silver. During the Lenten season, the ivory Virgin, minus the Niño, is transformed into a Virgen Alegria (The Joyful Mary) who greets the resurrected Christ in the annual Salubong rites. She is borne on another silver carroza for this purpose.

 Immediately after the discovery of the theft of the ivory Niño, the Archdiocesan Commission on Church Heritage posted a message on the social networking site Facebook, to report the loss of this image and to seek for help in its recovery. The auxiliary bishop of Pampanga, Pablo Virgilio David, who hails from Betis, also sounded a call for the search of the Infant Jesus of the Virgen de la Correa, which is considered a significant part of Betis’s religious heritage. So far, no leads have been received.

 We hope and pray for the eventual and safe return of the Infant Jesus image, the same way that the once-lost images of the Sto. Niño de Romblon and Ntra. Soledad de Porta Vaga, were found and recovered.