256. Guagua's Dolorous Virgins II: THE JINGCO-BACANI DOLOROSA

THE BLUE-EYED DOLOROSA OF FAMILIA BACANI-JINGCOS

The Bacani Dolorosa is an exquisitely-made processional wooden figure of the Dolorous Virgin, an heirloom image of the Bacani (Bakani) Family of Guagua. Family lore tells of the image being used for processions on Holy Thursdays even during the Spanish times. But more likely, it is a handiwork of their relatives--the Jingcos--who were a family of sculptors led by Sabas Jingco, and later, his son Maximino Jingco, a U.P. Fine Arts graduate who opened a taller de escultura y pintura in Betis in 1927. The younger Jingco studied under the tutelage of Isabelo Tampinco. This also explains why the Dolorosa is often referred to as the Jingco-Bacani Dolorosa. 

The patriarch, Dr. Jose Irisari Bacani was a well-known medico cirujano, a graduate  of University of Sto. Tomas (1917) who later pursued higher studies in the U.S. Upon his return, he worked briefly at the Philippine General Hospital, then settled back to Guagua in 1919 to practice his profession. In 1920, he married Consolacion Valenzuela where they raised three daughters.

The Dolorosa, over the years, has been repainted, and now has a fairer complexion like ivory;  it is hard to tell from a distance whether it is real ivory or plain wood due to her most recent encarnacion. It always participated in the pre-war Holy Wednesday procession in Guagua, until its carroza was completely burned at the height of the World War II in 1942. In those dreadful times, Guagua town was razed to the ground.

As a result, the family withdrew the Dolorosa from the Holy Week processions of Guagua. This prompted the Lopezes,  another prominent family of the town, to have another sober-looking Dolorosa made in Spain—known today as the Macarena.

Rosario Bacani Guanzon

The Bacani Dolorosa, meanwhile, was left in the care of one daughter, Rosario Bacani Guanzon. It would take 50 years before this beautiful Dolorosa resurfaced again in the 1990s—as a participant in the Marian procession held in Guagua in 1991 and 1998.

Apung Charing shared the Dolorosa with siblings and relatives, allowing them to keep the image in their homes for as long as six months. After which, the image was secured and kept once more by Mrs. Guanzon in nearby Sta. Rita town, where she keeps a home.

The Bacani Dolorosa has not been seen publicly since.  Dressed in her red embroidered vestment and caped with her wide manto, the Dolorosa cuts a striking figure, especially when she wears her silver rostrillo. It is hoped that the people of Guagua will behold the face of this beautiful Dolorosa once more in the near future.

PHOTO CREDITS: Jerry Punzalan Sagmit

227. HEIRLOOM SANTOS OF PAMPANGA

SAGRADO CORAZON DE JESUS. An early 20th century sacred Heart of Jesus in wood welcomes visitors at the foyer of an ancestral house located in Sta. Rita, Pampanga.

Pampanga's cultural renaissance is still going on strong years after the eruption of Mount Pinatubo, a cataclysmic event that almost wiped out the province's material heritage--from historic homes to ancient churches and all their treasured contents. It is good to know that many Kapampangans today have a heightened sense of awareness of the value of their cultural and religious heritage. 

Leading the way is the capital city of San Fernando with its famed heritage district. This area covers the historic core of San Fernando, including Barangay Santo Rosario and parts of Barangays San Jose (Panlumacan), Santa Teresita (Baritan), Lourdes (Teopaco), Del Pilar, Santa Lucia and Santo Niño.

On streets like Consunji and Tiomico, are clustered old family homes of such prominent Fernandino families like the Singians, Lazatins, Santos-Hizon, Dayrits and Ocampos which reflect the grand architecture of our colonial past now gone. These residences are also a veritable treasure trove of devotional images, as seen on this spread.

The original owners may no longer be there, but the houses and their rooms are still cared for, arranged just the way as when family members were still in residence. Beside four poster beds are altar tables bearing delicate ivory images of santos vested in gold-embroidered robes such as this all-ivory San Vicente Ferrer, and a Calvario tableau--still inside its fragile glass virina.

Others--like this old ivory San Jose and the Child Jesus are enshrined in newer, wooden urnas, proudly made in the province.

Bigger processional images tended by old families--like this Sta. Salome from Sta. Magdalena--are also hold special places in Pampanga homes, with their own storage case and wardrobe cabinet. On Holy Week, they are taken out, cleaned and dressed for the traditional Lenten processions.

Another town noted for ts many well-preserved ancestral houses that are just a walk away from each other is Sta. Rita. Locked houses are veritable museums, with household heirlooms and antiques such as this Sagrada Familia, rendered in ivory.

A visit to another house yielded this fabulous tableau of lifesize Semana Santa images, staged year-round in the living room.

A rarely seen wooden bust of  the Blessed Virgin is in storage in another ancestral home, in "house clothes" of blue and pink satin. It rests on a long vestry cabinet together with an assortment of classical santos of wood and ivory.

This San Roque ivory ensemble has been resting in its glass and wood urna, untouched by the passage of time.. An ivory angel and the saint's companion dog share the gothic altar with an Our Lady of Lourdes plastic water bottle.

Still another treasure -- a Child-carrying ivory Virgen del Rosario, albeit  missing a glass eye, is a sight to behold, resplendent in its original, heavily-embroidered vestments.

Right beside it is a more modest wooden crucifix--a staple religious image in every Kapampangan home, showing Jesus wearing a silver loincloth crucified on a cross of heavy wood, its ends capped also with finials of silver, and the base marked by a skull-and-cross "pukpok".

Wonders never cease when one visits old Pampanga homes--you will not only be treated with the trademark hospitality that Kapampangans are known for, but you will also get to expect the unexpected--like getting a rare sneak-peek at some of the most beautiful santo treasures of families, if only for a minute!