362. The Ivory Image of Parañaque's SANTA VERONICA

The processional ivory image of STA. VERONICA, is a representation  of the woman who offered a cloth (likely her veil)  to Jesus so He could wipe His face on the way to His Crucifixion, and on which His likeness was miraculously imprinted on the cloth.Though not mentioned in the Bible, the scene of the meeting endures in Catholic tradition in the Sixth Station of the Cross, "Veronica Wipes the Face of Jesus."

Parañaque’s Sta. Veronica has a head and hands crafted from high quality white ivory, This 2008 photo documentation of the santa shows her in a replacement  purple vestment embellished with gold-colored thread embroidery, for the Lenten procession of the Parish of St. Andrew.

She holds a “birang”, with the face of Christ imprinted three times that shows signs of fading due to age. The original “Veronica’s Veil” is believed to exist today in the Vatican and is considered one of the most treasured relics of the Church.

Photos from Dr. Raymundo Feliciano Albums in the care of the Center for Kapampangan Studies.

361. PORAC’S LITTLE JOHN of the SANTOS FAMILY

The small, but handsome image of the young SAN JUAN APOSTOL is a family heirloom from the Familia Santos of Porac, led by Leon Santos, a planter and businessman. Family lore has it that the image was originally owned by a local Chinese who gifted it to the Santoses. The image was inherited by Leon's son Isidoro Ponce Santos, whose overseas-based children now contributes the funds for his upkeep, including procession expenses.

The San Juan image is just 3 feet tall, with articulated arms. In this version, San Juan has carved, brown-painted hair, that falls gracefully down his nape and shoulders. Over his stiff collared top, he wears a tunic of green with a red, shawl-like drape on his shoulders. He is topped with a brass halo and shown holding his attributes: a feather quill and a book.

For years, it was a regular participant in the annual Lenten processions of Poblacion, Porac, Pampanga, until 2000. His entry is preceded by his symbol as an evangelist, a carved figure of an eagle, which has the ability to gaze directly at the sun, representing the divinity of Jesus.

Last procession appearance of San Juan, 2000

As San Juan was the smallest religious image in the procession, the Santoses decided to pull it out and caused a new, taller image to be made, to  match the size and proportions of the other Lenten santos.

MANY THANKS TO MR. JERRY PUNZALAN SAGMIT for the photos and information.

360. The Bone Collector: A SANTO ÑINO FIND IN INTRAMUROS

BONE-HEAD SANTO NINO with Wooden Body

There was a time that Intramuros had a small antique shop section, thanks to the development of a heritage district that started in the early 1980s. The district included the restored Casa Manila, a 19^th century house at the Plaza San Luis Complex, along Gen. Luna St. The complex attracted different establishments like restaurants, souvenir shops, arts and antique shops.

The Nino, as found, Galeria Andrea, ca. 1998

One of the popular shops located here was Galeria Andrea, owned by Pampanga congresswoman Andrea Domingo, who would later become Immigration commissioner and PAGCOR chairman. She turned her antique collecting hobby into a modest business in Intramuros, and it was in her shop that I found this small, but lovely Sto. Niño of wood and bone, sometime in 1998.

No more than 10 inches tall, including the base, the santo is depicted in a royal French costume, reminiscent of the outfit worn by King Louis XV. The Sto. Niño of Malolos wears a similarly-inspired outfit. Obviously, the image was repainted in garish white, blue and dark brown. Random painted flourishes decorate his tunic, highlighted by a body chain over the torso.

But what drew me to the santo was the face, which, initially I thought to be ivory as it was so white. It was the only material made of bone—everything else, including the hand holding a small orb (one hand is missing)--were made of wood.

I had to take a second and third look to see if it was really made from bone, but so well done—from the neck folds, define aquiline nose, to the wisp of his smile, and his side-glancing glass eyes—all contributing to its pleasing, amiable expression.

It makes one think that the head deserves a better body, maybe like those manikin-types, reserved for richly-dressed ivory santos. But this Niño has its own distinct appeal, and the wooden body itself is well-carved, and well-proportioned. Note, for example, the careful facial carving, the symmetrical folds of the cape, and the stance of the booted legs, with one knee slightly bent.

The shallow relief carving of the peaña (base) is a bit difficult to figure out; vaguely, I could make out a heart with a cross on top, entwined with thorny vines. The image was meant to wear a wig, and perhaps, a crown. De bulto images with wigs are more common for female saints, making this Niño a scarce find.

Antique bone santos have always played second fiddle to ivory santos, which are more prized and therefore, more expensive. But to me, my bone Sto. Niño find evokes the same feelings of appreciation and nostalgia for our religious folk art as when I see ivory santos--so in that sense, this Niño is just as precious and cherished for keeps!

POSTCRIPT:

MRS. ANDREA DOMINGO opened GALERIA ARTS & ANTIQUES in LRI Plaza, Jupiter St., in Makati , and she kept the business for 26 years. Today, her remaining collection are housed in he home city museum in San Fernando, Pampanga called MUSEUM OF PHILIPPINE ARTS AND CULTURE (MOPAC). One gallery is dedicated to her incredible santo collection: