“Barangay Sang Birhen” was a lay Catholic movement that
was started in Cadiz, Negros Oriental in 1949, by lay person Antonio Gaston
with Henry del Castillo. In its first 10 years, it had become the country’s
biggest Catholic mass organization, with aims to preserve the integrity of
the Filipino family, its spiritual unity, cultural distinction and and economic
self-sufficiency. By 1959, it had
over 2 million member families nationwide.
In the mid 1950s, movement leaders commissioned
professional and amateur artists to paint a portrait of a Virgin that they hope
would be the official image of their patroness. None had succeeded in executing the portrait
to the satisfaction of the leaders.
In 1955, Father Pixner, who ministered to the inmates of the
Santa Barbara Leper Colony in Palawan, heard about the search, and presented
the idea to Crisogono A. Domingo, a leper in his early 30s, whose only art
background was as a laborer-helper to a house painter. He decided to take on
the assignment, and, after praying 3 Hail Marys, began painting on a blank
canvass.
The finished painting showed the Mother and Child
overlooking a village with groups of five houses near the seas. The artist had
painted from memory a portion of the shoreline of his native Davao Gulf. The faces of the Mother and Child were foreign,
but the Lady wore the balintawak, a Philippine native dress.
At the foot of the Lady is a rock upon which the initials
BV (Barangay of the Virgin) is engraved. The houses—in groups of 5—show the
primary unit of the Barangay. Five families (which correspond to the 5
mysteries of the rosary) living in a
barangay together may form a Barangay Group, headed by a cabeza. Three groups
become a unit of 15 families, while three units compose a Parish Trinity, who
report to the Barangay Center headed by the parish priest and an organizational
body of leaders.
When the painting was brought to Msgr. Emmanuel Yap of
the Negros archdiocese, the scholarly
archbishop made a hurried research whether the glowing crowns over the heads of
the Mother and Child were faithful to the tenets of the church. They were. He
acclaimed it to be a work of art, worthy to be venerated as the image of the
Barangay patroness. Thus was born the image of “Our Lady of Barangay” that we
know today.
On January 14, 1981, the original painting was brought
back to Bacolod City for the visit of
the Holy Father where the image of the Birhen Sa Barangay was personally
blessed by His Holiness, Pope John Paul II.
Since then, image in the painting has been replicated as sculpted 3-dimensional santo figures, some carved in the round, others to be dressed in the trademark balintawak dress. A shrine “Simbahan Lingin” is dedicated to Our Lady of Barangay in Tagbilaran City, Bohol.
POSTCARD PHOTO: by Romy Hitosis |
Since then, image in the painting has been replicated as sculpted 3-dimensional santo figures, some carved in the round, others to be dressed in the trademark balintawak dress. A shrine “Simbahan Lingin” is dedicated to Our Lady of Barangay in Tagbilaran City, Bohol.
Thank you very much for your article featuring the Virgen Sang Barangay. I am very happy to see much interest on this devotion. For quite sometime, I have been researching on the web for articles, sites and images of the VSB. I am a devotee and an officer of the organization and it is my desire to continue to spread the devotion to our Lady. If it would not be a bother to you, may I furnish you a copy of the original text of the History of the Icon of the Virgen sang Barangay and when it was founded, so that, you can update your article. Kindly private message me on the facebook account of Barangay Sang Virgen - Diocese of Parañaque. Thank you very much. We continue to propagate our devotion to the Blessed Mother Mary. AVE MARIA.
ReplyDeleteYou are most welcome.
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