The father said to give him a few minutes while he talk with his son—Prince--who, at that point was adamantly holding tight to the monstrance and would not let it go In the meantime, he said, please feel free to check the other stuff in his warehouse.
Thank God, the big piles of lumber from demolished old houses were separated from the “antique” section of his shop, that included vintage furniture, aparadors, salvaged architectural details and iron grills. I noticed a few religious items there: an escayola Buenviaje in its own urna, a framed communion certificate.
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There must be more where they come from, I thought to myself. And sure enough, when I opened a comoda, an inner shelf revealed something extraordinary—a naked santo, with a thin manikin body, outfitted with a solid bone head and hands!
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One look, and I saw a vision of San Isidro Labrador holding a farm implement. The shop owner entered the room at this point, ending my reverie. “Oh, you found the old doll”, he said. I corrected him by saying that the figure is, by all indications, a santo. “Ah, I didn't know it's a santo! That means it will be a little bit more expensive then”, he continued. Me and my big mouth.
When he
mentioned the price, well, it wasn’t bad as I imagined it to be! In fact, I
could pay for it now! So that’s how I got the bone-faced San Isidro home.
The next work week, straight to the taller of Dr. Raffy Lopez the santo went. The 10 inch high santo, he said, was finished well, considering it was bone, a medium difficult to carve as it is brittle, breaking easily. This does not allow the carver much leeway to carve in finer details, which explains why bone santos do not have well-delineated faces and hands, looking stiffer, more folksy than their ivory counterparts. But this did not diminish at all the charming quality of this piece.
There was a possibility too that the santo was originally a San Jose, as it was found without identifying elements associated with San Isidro, like an ox, kneeling landlord, a plowing angel. But Dr. Lopez was confident he could recreate San Isidro’s likeness using this bone figure, even without those iconographic parts.
The first thing he need to do was to look for a proper base for it, and he found one—a folksy painted mortar base with remnants of green and dull yellow colors. Once he had that, he started his work on the bone santo, a process that took a month.
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When, finally, he revealed SAN ISIDRO LABRADOR, the results were dramatic as seen from these photos. Only the lips needed to be defined, as the bone head still had its original glass eyes and painted beard. A new jusi wig and an old halo from the doctor’s collection topped the head of the santo.
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The deep yellow satin cape and the knee-length drab green tunic complemented the colors of the base, which raised the santo’s height to about 16 inches tall. The gold embroidery was limited to the hems of the cape and the lower part of the tunic, fitting for a male saint.
The restores San Isidro sports knee high, leather boots, fashioned from soft imitation leather scraps. His left hand clutches a new, long-handled shover made of wood and tin. As the santo was tall and narrow. I had a customized glass case made for him, similar to Japan-made glass doll cases.
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I only have 5 bone santos in my collection, and this restored San Isidro is one of the more special ones because of the story of its discovery, finding it by mere happenstance.
Oh, and the silver monstrance? I got that too, the next day, pried off from the hands of Prince by his father, while he lay sleeping. I wonder what happened when he woke up. He should be about 18 years old now—is he pursuing a priestly vocation? I wouldn’t be surprised if he did.
