274. THE SANTO SEPULCRO OF PACO IN ART

 STO. SEPULCRO DE PACO, ANTIQUE PRINT, 1814

 Paco was an old arrabal or district of Manila that used to be called “dilao” (yellow), from the color of turmeric, that used to grow in the area. It became San Fernando de Dilao after its Franciscan foudners, and was expanded to include Santiago, Peña de Francia and Dilao. It is also the site of a famous church built from 1809-1814 by Fray Bernardo de la Concepcion in honor of Nuestro Señor Padre de Sto. Sepulcro, also known as Señor de Paco.

PHOTO SOURCE:lasagradaexpedicion.weebly.com, Kendrick Dominic Yu.

 The ancient image represents the dead Christ in repose, and—like the revered Nazareno in Quipao Church-- has become the center of a long-standing tradition began centuries ago by its devotees who believe it to be endowed with miraculous powers.

PHOTO SOURCE: la sagradaexpedicion.weebly.com, Kendrick Dominic Yu.

 The Santo Sepulcro, housed in its magnificent calandra or an elaborately carved wood and glass casket, and is taken out during its feast day in the month of August for a procession. The calandra with the Señor is borne on the shoulders of chosen male devotees, but unlike the rowdy Quiapo procession, the Christ bearers march in cadence, in a more solemn, orderly manner.

 The age-old image has also become the inspiration of a few artworks featured on this spread:

ANTIQUE PRINT, STO. SEPULCRO DE DILAO, 1814

 This antique black and white print, found in a house in Sta. Rita, Pampanga many years back seem to be the oldest print of the Santo Sepulcro of Paco. The dead Christ is in his grand calandra, flanked by Nicodemus and San Jose de Arimatea, two personages who helped in the interment of Christ after the crucifixion in Calvary. The inscription promises special indulgences to those who pray before the image of the Señor, and bears the date 1814, under the term of Archbishop Juan Antonio Zulaibar.

STO. SEPULCRO DE DILAO, Antique painting on tin. 8 X 10".

 This rare and small painting of the Santo Sepulcro was obviously copied from the old print, minus Nicodemus and Jose Arimatea. It is a painting on tin, very similar to Mexican retablos. 

STO. SEPULCRO TIN PAINTING. Personal Collection.

Only 8” x 10”, the tin painting retains its original colors although its two corners have been trimmed. It was purchased from an antique dealer at the Philcite antique pavilions way back in the late 1980s.

STO. SEPUCLRO IVORY MASK FIGURE. Source: Images of Faith, by
Regalado Trota Jose. Cas Manila, Intramuros Collection

 A 19th century Santo Sepulcro with a 7 cm. ivory mask outfitted on a wooden body. The figure is encased in awood and glass calandra. Although it is not specifically identified as a representation of the Paco Christ, it was displayed at the piece Casa Manila in Intramuros along with a Santo Sepulcro embroidered art.

DETAIL OF THE STO, SEPULCRO, Embroidered art. 1817.

 Another unusual Santo Sepulcro depicting the dead Christ of Dilao was once on exhibit at Casa Manila in Intramuros. It is an exquisite example of monastic art, showing the dead Christ, with a face of ivory mounted on fabric, with all the other details painstakingly embroidered with gold thread.

STO. SEPULCRO OF PACO, Embroidered art, formerly exhibited at Casa
Manila, Intramuros.

Again, the old 1814 print seems to have been the basis of this very rare piece which is dated 1817. The artwork is double framed—first with a rectangular frame trimmed with silver panels with beaten rococo design, then encased in an octagonal frame.

MANY THANKS TO KENDRICK DOMINIC T. YU, 
whose 2 photos of the Sto. Sepulcro are used here, taken from his blog: 
http://lasagradaexpedicion.weebly.com/la-sagrada-expedicioacuten/santo-sepulcro-de-paco-414th-fiesta

264. TRIO OF DEAD CHRIST VENERATED IN VILLAGE

 A DEVOTEE OFFERS PRAYERS at the shrine of the Tolong Hinulid
in Gainza, Camarines Sur Provinve. Photo: Juan Escandor Jr.

By Juan Escandor Jr.

Published in: Inquirer Southern Luzon March 24th, 2016 

 WITH ONLY eight villages, Gainza is the smallest among the 35 towns and two cities of Camarines Sur province, but it is expected to draw a large number of pilgrims who will venerate its three statues of the dead Jesus Christ.

 These statues, reverently called Tolong Hinulid (“tolong” means three while “hinulid” refers to someone laid to rest), were discovered in the same spot along a river in different periods of flooding in Gainza, according to accounts of residents of Cagbunga. The village is 5 kilometers northwest of Naga City and is accessible from the national highway through a concrete road crossing ricefields.

Photo: FB page, Kristian Sendon Cordero

 Nobody could say when the images comprising the trio of Hinulid were completed.

 Salvacion San Juan, 64, recalled that when she was young, she used to sneak into a bed in a room in their house where the Tolong Hinulid are kept. She giggled, remembering her father picking her up every time she would fall asleep beside the Tolong Hinulid.

 San Juan believed the devotion to the Tolong Hinulid might have started 100 years ago because her grandfather had told her about his devotion since childhood.

 When her father died several years ago at age 84, San Juan said the Tolong Hinulid was entrusted to the community. From then on, the Parish Pastoral Council (PPC) took care of the statues in a chapel built to house these.

Placed inside a glass-encased platform at the backroom of the chapel, the wooden statues have different tortured expression, with bloody cuts in the faces.

 Their lengths or heights vary. The tallest, at 1.52 meters (5 feet), lies in the middle and is flanked on the right by a 1.25-meter (4 feet, 11 inches) Hinulid and on the left, the shortest image at 1.21 meters (4 feet).

 They have identical garb of white satin embroidered with gold stitches along the neckline and knotted belt of gold-colored rope and are accompanied by replicas of two white doves placed on their legs, which devotees say help bring their messages to God.

 A devotee has to touch and kiss the bare feet of the statues while praying, and hold the dove replica as they say their prayers and deliver other wishes to God.

 The ritual of bathing the Tolong Hinulid every Maundy Thursday has become a tradition that has drawn devotees from neighboring towns. It begins at 2 p.m. after the members of the PPC had prayed around the Tolong Hinulid. They dab the statues’ bodies with cotton dipped from several pails of water that would, in turn, be used to treat ailments.

 Water used during the bathing is apportioned to devotees who wait until the ritual is completed.

 Jose Teodoro Jr., 52, PPC chair, does not have enough information as to how and when the three statues ended up in their village, which is crisscrossed by meandering tributaries of the Bicol River.

Picture: Kristian Cordero

Neither could he not find a rational explanation how these remained together, even though they were swept away by floodwater from the chapel when Typhoon “Sening” battered Bicol when he was 6 years old.

 From a chapel made of nipa shingles and bamboo years ago, the Tolong Hinulid is now housed in a concrete chapel with the elevated backroom of the altar constructed to protect the statues from floods.
The Tolong Hinulid are sustained by donations from devotees that reach an average of P3,000 a month and thousands of pesos during the Lenten season, he said.

 Teodoro said the number of devotees was increasing by the year. During the observance of the Holy Week last year, more than 1,000 came until Good Friday, with people standing shoulder to shoulder as they crowded the streets going to the chapel.

POSTCRIPT:
A movie entitled "HINULID" , starring Nora Aunor and directed by award-winning poet and columnist Kristian Sendon Cordero, has begun filming. It tells the story of a woman and her son, who died a violent death by hazing while studying in a law school in Manila.

WATCH THE TEASER OF "HINULID" HERE"

For those who are interested to help, kindly send your donations to this bank account “Kristian S. Cordero” BDO SM NAGA CITY Account Number: 006828010354. Kindly scan the deposit slip and send it to cinerinconada@gmail.com for confirmation. Should you need more information regarding this project, the team can be reached thru this mobile phone number 09167615121. 

Among those who have sent their support to this film project aside from the Noranians are award-winning screenwriter Ricky Lee, Albay lawmaker Edcel Greco Lagman, Pasacao Mayor Niño Tayco, and Naga City Mayor John Bongat.